Worderella Writes

Details, Details, Details

In class, we’ve been talking about details: relevant vs irrelevant, and how they can alter the power of your story. I tend to rely on details.

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A Tap on the Wing

“A book is like a man – clever and dull, brave and cowardly, beautiful and ugly. For every flowering thought there will be a page like a wet and mangy mongrel, and for every looping flight a tap on the wing and a reminder that wax cannot hold the feathers firm too near the sun.”
- John Steinbeck

There comes a time when you realize that there will be weak points in your work, and there isn’t much you can do about it on your own. What do you do when this happens? Some writers turn to trusted friends, family members, former English teachers. Some writers turn to other writers to act as beta readers. Some writers join local writing groups.

As a graduate student, I have the rare opportunity to work with a published author this semester. I’m incredibly lucky, excited, and terrified about this.

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Surface Edits

I’m plugging away at the final surface edits for Trentwood’s Orphan during my winter break from graduate school. It’s fast-going, and I’m surprisingly pleased with how the story is coming together. There are, of course, some chapters that got a little jumbled, but I assume that’s because not only was I retyping the entire book after hand-editing it, but I was converting from present-to-past tense at the same time. As such, some of my tenses got a little weird.

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How to be a Computer-based Beta Reader

Now that we’re all connected using Crit Partner Match (if you haven’t joined, you should!), it occurred to me that many of us are computer-based beta readers, which can be a monumental task. So today’s tidbit will provide useful tricks in Microsoft Word 2003 to help you become a more efficient and productive beta reader. If you use a different program, comment with your tricks to help your compatriots.

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Networking for Writers: Crit Partner Match

Hi all, I know I’m disrupting my posting schedule, but this is too cool to pass up. Zoe Winters, our guest blogger today, has clued me in on a new networking opportunity that is both fun and useful, too. It’s called Crit Partner Match, and the premise is that it’s like eHarmony.com or Match.com, but for writers looking for a critique partner. I’ve already set up a profile and am about to write my introduction in the Historical Fiction group.

So join us at http://critpartnermatch.ning.com/. I hope to see you there, no matter your genre!

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What Happens to an Author When She Finishes Editing?

Last week, I finished the paper edits of First Draft B. Cue the fanfare, tears of happiness, and confetti. Now it’s time to pull off the gloves and re-type the entire thing with the new edits to see what we’ve got. And so begins the Second Draft.

Now, there are multiple things an author feels once she or he gets past another stage in the writing process…

• Fear that what you wrote stinks beyond belief.
• Elation that you finished it, you really finished it.
• Depressed that at some point, you’re going to have to let someone else read it and tell you exactly what they think about it.
• Proud that, upon reading over it, you like more than you hate.

I know some of you are reading this now because of my editing workshop, and I bet you’re wondering if I followed my own advice.

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Focus on those Nitty Gritty Details

Just keep swimming. Just keep swimming.
Just keep swimming, swimming, swimming.
Finding Nemo

Hey, you’ve made it to the details (final) part of editing week! I hope you’re following Dory’s advice and staying persistent… just keep swimming (writing)!

I’m not sure if you’ve noticed yet, but editing really is my favorite part of the creative writing process. I know I might be alone in this, and that’s ok. My goal this week was to help you see that editing is not as hard as it seems… it just takes patience, persistence, and motivation. Today I want to leave you with some ideas to help you edit on a very detailed level. Beware, those faint of heart and annoyed by long posts, as this just might be my longest ever.

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Tell Me, Don’t Show Me

Here is a conversation I hope I never see in your work, ever.

“Hi Belinda.”

“Hey Marcie. What’s up?”

“Nothing much.” Marcie sighs into the phone. “Making dinner. Hubby’s coming home soon and he gets grumpy if I don’t have it ready.”

“Oh man,” Belinda murmurs. “What’re you making? Spaghetti? Gotta love spaghetti.”

Snore, snore, snore, right? How many of you have heard a conversation like this while walking around a store? A conversation about nothing that annoys everyone else who has to hear it? Don’t force it on your readers or they’ll throw your book against the wall.

As important as showing is, telling is equally important when used at the right time

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Show Me, Don’t Tell Me

“Don’t talk of stars, burning above! If you’re in love, show me!
Tell me no dreams filled with desire, if you’re on fire, show me!
Here we are together in the middle of the night. Don’t talk of spring, just hold me tight!”
Show Me from My Fair Lady

Think of your book as a court case. Would you, as the jury, believe the prosecutor if s/he screamed, “The defendant is guilty!!! …And I rest my case.”

No. You want proof so you believe beyond reasonable doubt that the defendant is guilty.

Apply the same idea to your writing. What proof do you have to convince your reader that your character is bored, that her hero is unhappy, that his antagonist is delighted?

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Be Brutally Honest

Today we are going to work on being honest when editing. I always like to think of editing as having three major factors: being honest with yourself, with your writing, and with your audience.

First: Be honest with yourself

There are times when all you want to do it edit, and other times when you dread the idea. Whatever the case, ask yourself these questions before you begin.

• Are you tired? Take a nap before you edit so you are alert enough to notice mistakes.
• Have you had a bad day? Just come out of an argument? I suggest not editing then, because you’re upset. Everything is going to look bad to you, and that’s not constructive.
• Have you had the most wonderful day of your life? Don’t look at your WIP with rose-colored glasses. Realize that your good mood might make you think your writing is better than it is, which is also not constructive.

In other words, realize that your mood will change how good you think your writing is. Train yourself to be objective no matter your mood.

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