Worderella Writes

Mark Twain’s Tips on Writing Well

We all know Mark Twain for Huckleberry Finn, Tom Sawyer, The Prince and the Pauper, A Connecticut Yankee in King Arthur’s Court, etc. In literary circles he is known for his lambasting essay, The Literary Offenses of Fenimore Cooper, where he writes his Nineteen Most Important Rules of Literature. The essay claims that James Fenimore Cooper, another well-known American author, broke eighteen of them. How do you make out?

Read more...

Plot Snafus and Hasty Research

Do you know how hard it is to look up 120 year-old weather patterns for a relatively obscure location? I stretched my Google-fu to the limits, searching everything from “UK weather archive” to “Swindon almanac feb 1887.” (My location is actually a small community relatively near Swindon, but that community is so small you might as well say it doesn’t exist on the internet.) After searching for an hour, I found two sources saying there was a December 1886 snowstorm in southern England so fierce that school was canceled, overhead telegraph lines and trees around London were felled, and Kent received 30cm snow (11.8 inches). My community would have experienced that snowstorm, then. But what about February 1887? What happened then?

Read more...

Article: Hold on to Your Plot Part 3

And now, the finale for the article on how to hold on to your plot!

Read more...

Article: Hold on to Your Plot Part 2

A continuation from the article I posted here, read about how you can hold onto your plot by working with your characters, etc.

Read more...

Article: Hold On to Your Plot Part 1

When we begin writing, we have this core idea, this main plot that keeps the story together. But as we get deeper into subplots and secondary/tertiary characters, sometimes we lose our main idea. We obsess over the little things. We forget the forest for the trees. We see the colors but not the rainbow. I could go on, but I won’t, for your sake. The following series of three entries will focus on Mike Phillips’s essay showing how he keeps his plot in line, with his hints on how to help you stay focused.

Read more...

Quote: Tight Plot

Boiled down to its basic elements, a plot is comprised of people with motives which meet resistance, creating conflict and leading to consequences. Scenes must either advance the plot or develop one or more of your characters so avoid waffling on if it isn’t relevant. If when re-reading you do find a section which is a touch on the flabby side, rewrite so that it works with the plot and characters, or steel yourself and press the delete key.
- Mike Philips

Read more...

Storyboarding

I am an alpha personality: I live by lists, I like things ordered a certain way, I like to be in charge, I like to be on time. So you would think I use storyboarding to plot my novels, right?

Wrong! This past weekend was the first time I ever attempted a storyboard. And let me tell you: It was wonderful. I started out by drawing a line across an 11 x 24 sheet of paper for a timeline. I’ve always loved timelines, so it made sense for me to do it this way. Plus, my story has a backstory spanning ten years.

Read more...

Playing with Structure

Here is a great article on the structure of your work, stressing the importance of making the structure as important as the plot.

What is Structure?
by David Mitchell

To begin with, structure need not just be a frame on which you hang narrative, but a kind of plot in its own right, running parallel to the narrative-plot. Twists in this ’structure-plot’ occur as and when its nature and workings are revealed to the reader.

Read more...

Book: The Thirteenth Tale

Margaret Lea has a secret about her birth; a secret that haunts her to this day, and affects every decision she makes. She is the daughter of an antique book dealer, and so is his helpmate in running the bookshop that maintains their lifestyle. One day, a letter arrives for Margaret, written in an awful hand, requesting that she journey to the home of the infamous writer, Vida Winter. Miss Winter is infamous because of her past, or lack of it, for with every interview there is a new rendition, and none of them are true. There is no record of Miss Winter’s birth, her childhood…nothing to say who she was before she appeared in the literary world. Miss Winter, it seems, wants to tell the truth of her past for the first time, ever, and she has chosen Margaret for the job. After thirty (or forty, perhaps?) years of public speculation about the past of Miss Vida Winter, and the plot of the missing thirteenth tale from her book Thirteen Tales of Change and Desperation (only twelve were released), Vida Winter is ready to speak the truth.

Read more...

Quote: The Plot

The primary purpose of the plot is to give the protagonist a reason to change in the direction she needs to change.
- Alicia Rasley

Read more...