Worderella Writes

In the Midst of Living

“My ideas usually come not at my desk writing but in the midst of living.”
- Anaïs Nin, French Writer

First, I need to say that last week the lovely Evangeline at Edwardian Promenade awarded the I Love This Blog to me, and I have to spread the love around. See the end of this post for the award, and my nominations. <3

This week’s exercise is to take a look around you. So often do we writers get lost in the act of writing, that we forget we are supposed to be writing about life. Who are these characters that we spend our every waking moments with? How can we possibly know who they are, and how to make them distinct, if all we do is sit around our houses dreaming about them?

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Researching Your Setting Using Google Earth

If anything is lacking in my research, it’s details about setting. Not for lack of trying, though; it’s something I tend to obsess about, if you’ll remember, but the resources about my little village is sparse at best.

Enter Google Earth. I finally caved in and installed the free application on my computer. This, despite my misgivings that I would waste hours studying the landscape rather than studying how the structure of a material changes depending on the number of vacancies at the atomic level. (I’m so glad I graduated.) Heaven help me, I was at the computer for two hours squealing about all the little physical details that, without technology, I would have had to journey to the UK to see it myself.

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Thursday Thirteen: Tools to Research Setting

I often find interesting bits of information that don’t necessarily correspond to an entire blogpost. To compensate, sometimes I’ll have a Thursday Thirteen to collect and spread the knowledge-love around, which was the original point of Worderella Writes. But I reserve the right to have a Thursday Seven, Thursday Two, Thursday Whatever-Number-I-Manage-to-Get-To… even though they don’t sound as good. Today’s theme is tools to help you research and/or write your setting.

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Book: Neverwhere

Stuck in a relationship and job where he is a whipping boy, Richard Mayhew breaks free of his daily not-caring ritual when a bloodied girl dressed in rags literally drops at his feet. By helping her, he loses track of his entire existence (literally), and must embark on a journey through “this city of shadows and darkness, monsters and saints, murderers and angels, if he is ever to return to the London he knew.”

If you like Doctor Who or Monty Python, this is a book for you. If you write fiction that takes any hint whatsoever from fairy tales, mythology, or legends, Gaiman is an excellent example to read to get a feel for what other writers are doing. (Another good example would be Marquez, but I’ll save that for when I review Of Love and Other Demons.)

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Guest Post: Writing on the Go

A guest post by Blair Hurley from www.blairhurley.com listing some hints on how to make sure you’re writing on the go.

Writers use their own environment constantly to enrich their stories. We draw upon our settings and the people around us to create worlds. So when we travel, it’s crucial to take advantage of the new environment and use it to improve our fiction. But when you’re on the go in a new place, how’s a writer supposed to get down information? Read on!

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Book: Silent in the Sanctuary

Lady Julia Grey is back from her Italian getaway, where she recovered from the loss of her husband, the shock of discovering who killed her husband, the confusing emotions toward the detective hunting her husband’s murderer, and the smoke inhalation from the night all these factors came together in a literal blaze of fury. Home for Christmas in Sussex, Lady Julia is shocked to see among the guests Brisbane, the aforementioned detective, who is newly engaged to one of the silliest women she has ever laid eyes on. When murder happens in the abbey, it is up to Lady Julia and Brisbane to solve the crime despite their tumultuous history.

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Book: Hurricane Moon

It is the late 21st Century. Catharin, an idealistic astronaut-physician, is part of the crew of Aeon, a starship sent out to find a new Earth. She wants to help society start anew, now that medicine has solved all major problems; molecular biologist Joe Devreze, however, just wants to run away from Earth, for reasons Catharin can’t figure out. Everything goes awry when Aeon reaches a double-planet system: one dubbed Planet Green is covered with vegetation, the other, Planet Blue, is consistently covered with hurricanes. As Catharin and Joe start to settle into Planet Green, Catharin discovers problems with their DNA… to the point where they might be the last humans in the universe. Can she trust Joe, and his shady motives, to save humanity? And just how much attention should Catharin pay to her subconscious warnings that Planet Blue is more than just a watery moon?

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Book: Hood

Rhi Bran ap Brychan, heir to the Elfael throne, has never been much for responsibility. Not since his mother died when he was a young boy. Bran is headstrong, selfish, and egotistical; rebellious against his callous and and tyrannous father. But now his father is dead–killed by Norman invaders determined to take over the Welsh and their lands. The people of Elfael have been enslaved, made to pay taxes they have not the money for, forced to work lands that are not their own and thus making it impossible to tend to the year’s harvest: the people of Elfael are starving, and they need a leader. Unfortunatly for Bran, he is their last hope.

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Capturing the Setting

This is an article I found on the BBC – Get Writing website, written by Sue Chester. I took out the exercises and etc, focusing mainly on the content. If you’d like to see the original article, click here. It’s a pretty long article, so reader beware:

Setting Off
For the last few weeks I’ve been on a journey through the Caribbean. It was very cheap. Gabriel Garcia Marquez took me there personally for less than a tenner in Love in the Time of Cholera.

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